In 1965, I had already started playing guitar, as had two of my best friends, Martin Cunningham and Pierre Lafleur. Another friend, Roch Tassé, played drums and still plays on this site. We formed an orchestra called the Ravens. All four of us were dressed in black – black turtlenecks, black pants, black stockings, black shoes. More than 50 years later, my childhood friends are still my friends. Friends for life.
“Queen Jane Approximately” is one of many Dylan songs of the period which featured adverbs and other qualifiers in their titles. Some examples are “Absolutely Sweet Marie”, “Obviously 5 Believers”, “Most Likely You Go Your Way And I’ll Go Mine”, “Positively Fourth Street”and others. Dylan never revealed the reason for this particular preoccupation.
In 1965 and 1966, Dylan released three albums which were to change the face of contemporary music forever. “Bringing It All Back Home,” “Highway 61 Revisited” and “Blonde On Blonde” formed the heart of Dylan’s very best work. Musically, he collaborated with the best studio musicians from Nashville as well as rock and blues dignitaries from The Band and the Paul Butterfield Blues Band. Lyrically, the words came from another world, one which was eventually recognized for its unique brilliance and would earn Dylan the 2016 Nobel Prize in Literature. “Queen Jane Approximately” is an integral part of this imposing output which rivals and indeed surpasses that of any artists in any discipline.Richard Séguin – voice, electric guitar, electric bass guitar
Martin Cunningham – acoustic guitar
Roch Tassé – drums
To hear the piece, click on the song title below.
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