The song marks a transition between Dylan’s earlier “protest song” style (a litany of the down-trodden and oppressed, as in the second half of each verse) and his later more free-flowing poetic style (the fusion of images of lightning, storm and bells, as in the first half).
The song has been covered many times by different artists, including The Byrds, Jefferson Starship, Youssou N’Dour, Bruce Springsteen and U2. I have always found the song to be profoundly solemn and chose a more sober arrangement.
Richard Séguin – voice, MIDI programming (organ), audio sampling (percussion), electric 12-string guitar
To hear the song, click on the title below.
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