As with many blues songs, \u201cDust My Broom\u201d arrived in its present form through various other songs, the earliest of which has been identified as \u201cI Believe I’ll Make a Change\u201d, recorded in 1932 by identical twins Aaron and Marion Sparks under the names “Pinetop and Lindberg.” Aaron chose the name Pinetop in honour of Clarence \u201cPinetop\u201d Smith, the famous boogie-woogie blues pianist, while Marion called himself Lindberg because he could really dance the Lindy Hop! This dance, named after the aviator Charles Lindberg, was a huge sensation during the \u201cBig Band\u201d era of the late thirties and early fourties.<\/p>\n
The Sparks brothers only managed to record a handful of songs since Aaron was poisoned before he turned 30. Marion spent a lot of time running afoul of the law for bootlegging, gambling, fistfights and even manslaughter. The only available picture of the Sparks brothers is the one on the right, a 1934 mug shot of Marion, courtesy of the St Louis Police Department! In spite of their short stint with music, the Sparks brothers managed to give us the classic blues songs \u201c61 Highway Blues\u201d, made famous by Mississippi Fred McDowell, and \u201cEvery Day I Have The Blues\u201d, forever linked with B.B. King and Count Basie vocalist Big Joe Williams.<\/p>\n
In 1936, Robert Johnson, one of the greatest bluesmen who ever lived, recorded \u201cI Believe I’ll Dust My Broom\u201d, a Delta Blues reworking of the Sparks brothers’ version that captured the drive and intensity of the song. Johnson added some new lyrics and introduced the repeated triplet guitar phrasing that Elmore James later transformed into the most recognizable guitar riff in the history of the blues. Johnson died in 1938 at the age of 27, supposedly poisoned by a jealous husband. He only had time to record 29 songs in his short life, all of them very influential in the development of the blues and Rock ‘n Roll.<\/p>\n
Elmore James was born in Richland Mississippi on January 27, 1918, the son of 15-year old Leola Brooks, a field hand, taking the James name from Joe Willie James, a sharecropper and perhaps his father. A musician by the age of 12, James toured throughout rural Mississippi with Sonny Boy Williamson and encountered Robert Johnson, from whom he probably learned \u201cI Believe I’ll Dust My Broom.\u201d After a stint in the U.S. Navy during the war, James joined Williamson on the famous King Biscuit radio show performances and, in 1951, the duo auditioned for the small Trumpet Records. James was signed to a recording contract but the only song he recorded at that time was \u201cDust My Broom.\u201d The single, with a rendition of \u201cCatfish Blues\u201d by Bobo Thomas as the B-side, listed the performer of both pieces as \u201cElmo\u201d James. The1951 recording of \u201cDust My Broom\u201d happened when electric amplification was still in its infancy and is one of those rare recordings that changed the course of blues music. The driving dance rhythm, the overwhelming amplified slide guitar and James’ magnificent vocal make it pure lightning in a bottle. Regional record charts show that \u201cDust My Broom\u201d gradually gained popularity across the U.S. It eventually entered Billboard magazine’s national Top R&B singles chart in April 1952 and peaked at number nine. The success of the single by the relatively small Trumpet Records led other record companies to pursue James in the hope of landing his follow-up hit. Thus, many re-workings of \u201cDust My Broom\u201d, all with small variations, were recorded by James for different record labels during his career. My personal favourite is a 1959 recording for Fire\/Fury records. <\/p>\n
Beginning in 1952 James divided his time between Mississippi and Chicago. His backing musicians were known as The Broomdusters and featured his cousin, \u201cHomesick\u201d James. The band was so powerful that people often showered the stage with dollar bills. The Broomdusters rivalled the Muddy Waters group that included Jimmy Rogers, Little Walter, and Otis Spann. While \u201cDust My Broom\u201d remained James\u2019 signature song on stage and on record, he also composed the enduring blues standards \u201cThe Sky Is Crying,\u201d \u201cMadison Blues,\u201d and \u201cDone Somebody Wrong.\u201d Ever since the war, Elmore James knew he had a serious heart condition. He died of a heart attack in Chicago in 1963, as he was about to tour Europe with the American Folk Blues Festival. Elmore James was 45 years old.<\/p>\n
NOTES: The expression \u201cdust my broom\u201d is understood to mean \u201cmove out\u201d of a rented room, sweeping up before you go. Over the years, it has generally been used to mean leaving any unwanted situation behind. \u201cNo-good doney\u201d is seldom heard these days and refers to a woman of low standards.<\/p>\n
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Richard S\u00e9guin – voice, electric guitars
\nAlrick Huebener – electric bass
\nRoch Tass\u00e9 – drums<\/p>\n
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