![\"Robert](\"http:\/\/richardaseguin.com\/fra\/wp-content\/uploads\/2015\/09\/Mandolin-1_1201-e1490701113971.jpg\")
<\/a>Robert et Richard<\/p><\/div>
\nSometime around 1966, The Beatles became adults. \u201cShe Loves You\u201d was replaced by \u201cShe’s Leaving Home.\u201d The joy of their early pop music was nowhere to be found in pieces like \u201cNowhere Man\u201d and \u201cEleanor Rigby.\u201d Very much in this vein, \u201cFor No One\u201d is about the end of a relationship, where people are discarded like worn out clothes \u2013 very shocking for the \u201clove generation\u201d of 1966. Unless you were there, it’s difficult to understand or explain the sense of social upheaval the The Beatles reflected in their new lyrics at that time.<\/p>\n
But it wasn’t only lyrically that The Beatles were evolving. Their music, thanks to the contributions of producer\/arranger George Martin (1926-2016), often referred to as the fifth Beatle, expanded into areas previously unknown to pop music. For example, the original recording of \u201cFor No One\u201d is quite baroque, featuring a clavichord and a superb French horn solo, ably played here by Alrick on the upright bass.